Thursday, September 19, 2019

A Thousand Days, in so many words :: Essays Papers

A Thousand Days, in so many words Any writer presented with the daunting task of chronicling such an emotional figure as John F. Kennedy, while being personally and professionally involved in his administration is bound to either fail miserably or succeed brilliantly. Schlesinger seems to have done both. While setting out to impart the happenings, demeanors, exchanges, and truths regarding the period Kennedy was in office, Schlesinger alternates between objective analysis and outright apology (Document, 55). This lends the book’s attempt to report and editorialize the events of Kennedy’s administration through personal observations to become overly sympathetic and occasionally lends a sense of personal catharsis to the work. In fact, Schlesinger himself notes as such in the opening pages â€Å"This work is not a comprehensive history of the Kennedy presidency. It is a memoir by one who served in the White House during the Kennedy year† (ix). However, in the opinion of Graber this was s een as one of the best analyses of the Kennedy White House of the 90 or so which came out after the assassination in Dallas (1). This fact that the author was an integral piece of the events he is recording allows for much direct quotation of the subject and those around him. Likewise he depends upon memory, interviews, or conjecture to complete some dialogue or moments where he was not present. While not unusual in the research of a chronicle, several critics found that this inability of Schlesinger to remove himself from his subject leads to a tendency to â€Å"†¦magnify his own role in the shaping of policies and the making of decisions† (Graber, 55). However, this is not to say that the author does not use primary examples of the president’s statements to support his account. In dealing with the Berlin imbalance Kruschev was causing the administration, Kennedy is quoted as saying, â€Å"I think we need to smile less and be tougher† lending credibility to the remainder of the account and Kennedy’s role in it (406). This use of direct quotes lends an air of presence to the text that might otherwise be lacking as well as allowing a more solid character reference to be built in the mind of the reader, and for that the book gains strength.

Wednesday, September 18, 2019

Government and Politics - Cultural Purification and Discriminatory English Only Laws :: Argumentative Persuasive Topics

Cultural Purification and Discriminatory English Only Laws With continued diversity, stemming from immigration into the United States, the languages spoken here are continually transforming. Cultural misunderstandings and a lack of education on multi-lingualism have caused injustices inflicted on entire groups of people. Historical ideologies on what a "pure" American language should be has resulted in discriminatory "English Only" laws and other programs aimed at "cleansing" the American culture. The language debate can perhaps be traced to John Adams' proposal to the Continental Congress in 1780. The nation at that time was very culturally diverse. "It was commonplace to hear as many as twenty languages spoken in daily life" (ACLU). Adams however, made a proposal to the Continental Congress that would significantly effect this diversity. His call to, "purify, develop, and dictate", usage of the English language would have placed stringent restriction on the employment of any other languages beside English. Another of our Founding Father's myopic views on language and culture, discriminated against the German immigrants in the United States at the time. Benjamin Franklin, in the middle 1700's, feared the German influence could, "supersede Anglo supremacy, not only in language, but in terms of culture and political values" (NCBE). Thomas Jefferson espoused similar worries in 1803, in regard to the French in the Louisiana Territories. The prevailing view each of these Founding Fathers held was fear, propelled only by opinions that the immigrants would not be able to understand, and therefore not promote, "American values". The middle to late 1800's, saw other immigrant groups face like discrimination. The Know-Nothing Party, which was started in the 1850's, upheld anti-Catholic and anti-immigrant views. This ultimately led to language restrictions being placed on them. Due to English literary requirements, Chinese immigrants were, "attacked, barred from employment, disqualified from owning land, not allowed to vote" (NCBE). Laws restricting use of German in many public schools were also passed. One's culture and ideas becomes apparent through language. The distrustful leaders at the time though, were fearful of anything other than "pure American values", and language therefore became the avenue by which they chose to promote this purity. These historical efforts to "cleanse" the American language have no doubt contributed to feelings on language purification by politicians today. The effect of our nation's history of cultural ignorance has led to the creation of proposals that are damaging to those not yet proficient in the English language.

Tuesday, September 17, 2019

My Own Understanding Of Politics :: essays research papers

My Own Understanding of Politics   Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"A means by which individuals and interest groups compete to shape government’s impact on society’s problems and goals.† Politics is easily defined. It is the concept behind the words that is more difficult to understand. Though politics is the primary method of communicating with government, this is not the only time politics are used. Immediate, individual interests, wants, and needs must be satisfied, as well as societal problems. The pursuit of interest is the purpose and initiation of political behavior.   Ã‚  Ã‚  Ã‚  Ã‚  The moment an individual actively pursues an interest or works toward the completion of a goal, it is projected outside him. For example, a person is shopping for a car. The situation is no longer individual because he cannot achieve his goal of obtaining a new car alone; another person or dealership must make the car available to him. Because the person selling the car also has a goal, there is interplay of interests, and the implications of politics.   Ã‚  Ã‚  Ã‚  Ã‚  Negotiation over a car, or anything of interest involves a distribution of attention from one side to another. Just as a car has a seller and a buyer, the government has different political parties, and each issue has a group for and against it. Gaining cooperation from the other side requires strategy.   Ã‚  Ã‚  Ã‚  Ã‚  Tactics used range from peaceful, including persuasion and civil disobedience, to violent. But the expectation of reward and the actual probability of reward essentially dictate political action. Rewards are both individual and societal. Power and the ability to control motivate our political leaders. Desire for wealth fuels citizens and the economy. Skilled citizens are represented in the technologically advanced Japanese population. Enlightenment comes from an educated society. Health is invaluable to everyone, and to society when average life spans increase. And finally, respect, morality, and affection are the values that make up a person’s essence. Government is just as involved in the distribution of rewards and the claiming of values as individuals. Its leadership is the nucleus of society. The government allocates resources (money), deciding the fate of such programs as Medicare and welfare reform and the means, usually tax dollars, to pay for these programs. Government is the goal-attaining unit, and its decisions reflect those goals. The government is responsible for building a foundation now to prepare for the future. These decisions for the future are some of the most difficult ones to make.

How successful was Lord Liverpool’s government Essay

How successful was Lord Liverpool’s government in responding to Popular Discontent in the years 1815 to 1820? Lord Liverpool’s government faced popular discontent in the years 1815 to 1820 due to various social, political and economic factors which led to the majority of the British Public wanting a change. A change in government, government policies and a change to overcome the mass unemployment they were suffering from as a direct result of the end of the Napoleonic War, industrialisation and urbanisation. However, despite the widely held view that amendments – in favour of the working class – were needed, no such change came about in the years 1815 to 1820. Lord Liverpool’s government was partly responsible for this as it introduced a number of repressive policies to prevent the people from revolting; however it is argued that the main reason for the lack of change was due to the disorganisation of the radical opposition. At the end of the Napoleonic War, Britain began trading with Europe once again. This worried the farmers who were afraid that the importation of foreign corn would lower prices. As a result, the British landowners put pressure on the House of Commons to take action and protect their profit and were successful, resulting in the Corn Law being introduced. This applied a tax to all foreign wheat imports unless they reached the domestic price of 80 shillings and was viewed by the industrial class as a way in which the government was protecting the rich landowners – and paying no regard to the working, industrial class majority. The introduction of this law made things incredibly hard for the poor who were already struggling to feed their families and suffering from unemployment, furthermore manufacturers were affected by this law as their workers began demanding higher wages. As well as strikes, the Corn Law led to food riots all over Britain and was the reason many middle class moderate reformers began joining in to the call for change. Therefore it can be viewed as one of the reasons Lord Liverpool’s government was unsuccessful in dealing with popular discontent as rather than introducing reforms in favour of the radicals, it did the opposite and intensified their outcry for change. The Corn Law was followed by the abolition of income tax in 1816 to protect the wages of the landowners once again. As a result, indirect taxes were added to everyday items such as tea, sugar, tobacco, beer and salt. The abolition of Income Tax was a tax which benefited the rich more than the poor, however the indirect added taxes harmed the poor more than the rich, as they were victims of unemployment and low wages. This therefore created further popular discontent and was once again viewed as another policy to favour the rich, landowning class and is hence seen as a reason the government was unsuccessful in dealing with popular discontent. Having said that, from 1817 to 1820 various repressive measures were introduced to control popular discontent and ensure that the government of Lord Liverpool was not overthrown. The first of these was the suspension of the Habeas Corpus act; this meant that the government could hold political prisoners for an indefinite period of time and therefore intimidated people from opposing Liverpool and his government. Despite this act creating internal popular discontent it was successful as people were now angered by the government – arguably even more so than before – however were too intimidated by the idea of transportation or being arrested for an indefinite period of time to react in protest. Furthermore, in 1819 the Six Acts were introduced. The first of these gave local magistrates extensive powers to restrict public meetings and therefore prevented people from planning any forms of riot or protest. The Seizure of Arms Act gave local magistrates the right to search for and seize arms, making it virtually impossible for the radicals to up rise using violent methods. The Blasphemous and Seditious Libels Act prevented the opposition to generate support through propaganda and raising awareness, as any publications unapproved by local magistrates could be seized. The fifth of the six acts introduced a four pence stamp duty on newspapers to ensure that the price of the radical newspapers was beyond the means of most members of the working class, this further prevented support through propaganda. And finally the Misdemeanours Act sped up procedures for bringing treason to trial, its impact led to people being too afraid to protest in fear of being arrested and even transported. As mentioned above, these repressive policies made it practically impossible for the radicals to organise a mass uprising to overthrow the unjust government of Lord Liverpool as doing so required authorisation from their local magistrates – authorisation they obviously would not be granted. Therefore this is an example of how Lord Liverpool’s government was successful in dealing with popular discontent as instead of abolishing it by giving in, it was dealt with through prevention policies. However, despite these wonderful repressive policies introduced by his government to prevent popular discontent, it must be noted that this cannot be solely credited to Lord Liverpool. The radical opposition was far from organised, and was divided into groups consisting of people who advocated violence like the Spenceans in the Cato Street Conspiracy of 1820, and other non violent groups. This division weakened the development of a united working class response and gave the impression of protestors who were hopeful – but by no means forceful – for change. Furthermore, the radicals were not well equipped with weapons and perhaps this can be credited to the Six Acts, however even if the Seizure of Arms Act had not been introduced, the working class radicals would most likely not have had the means to acquire sophisticated forms of weaponry. Therefore it can be concluded that the government of Lord Liverpool’s reactionary acts played an important role in preventing popular discontent as despite being harsh enough to provoke opposition, were repressive enough to prevent it taking place. However, in my opinion, the lack of change in favour of the working class was far more due to a failure on their part, than a success for the government of Lord Liverpool.

Monday, September 16, 2019

Home Depot Case Essay

1. On the basis of Home Depot’s response to environmentalist issues, describe the attributes (power, legitimacy, urgency) of this stakeholder. Using the Reactive Defensive-Accommodative-Proactive Scale in Chapter 2, assess the company’s strategy and performance with environmental and employee stakeholders. In 1990 Home Depot began to work off a basis of environmental principles. People in the community pushed for the company to become more eco-friendly. These principles help to guide a number of different programs to help minimize the company’s and shopper’s impact on the environment. 2. As a publicly traded corporation, how can Home Depot justify budgeting so much money for philanthropy? What areas other than the environment, disaster relief, affordable housing, and at-risk youth might be appropriate for strategic philanthropy by Home Depot? Home Depot volunteers many hours to help the needy. They contribute money and help with disaster relief efforts. They also contribute money to charities to help the less fortunate. Home Depot can justify budgeting so much money because they do not see it as a loss. They believe they are placing money back into the local community and back into the economy. These actions build trust with customers and stakeholders. 3. Is Home Depot’s recessionary strategy of eliminating debt and halting growth a wise one? What would you recommend to the CEO? In 2007, Home Depot foresaw an economic recession coming. This recession made them pull back money from opening new stores. The basis for pulling their money back was to ensure they would be able to pay their bills without having to borrow money from the government. I wouldn’t recommend the CEO to do anything because I believe they are doing what they can to be economically responsibly for their stakeholders.

Sunday, September 15, 2019

Theme in ‘Shakespeare in Love’

Describe one idea worth learning about in the text. Explain why it was worth learning about. John Madden’s Shakespeare in love is a ‘romantic comedy’ set in sixteenth century England. Through its two unfortunate protagonists, Will Shakespeare ‘a lowly player’ with writer’s block and wealthy Viola De Lesseps who dreams of ‘love as there has never been in a play,’ it explores the idea of ‘the truth and nature of love’ in the Elizabethan era.Madden portrays the harsh realities of the time through filmatic techniques such as dialogue, motifs and costuming to constantly remind the viewer throughout the film that the romance that is shared by Will and Viola cannot last in sixteenth century England. This is worth leaning about because as a 21st century viewer I become more able to appreciate the struggle faced by the two protagonists, especially Viola as a woman, in the name of love.Madden makes it clear to the viewer from th e beginning of the film Shakespeare in Love, that the truth of love in sixteenth century England which is based on the idea of marriage as a method of obtaining social or financial gain divides the two protagonists who are separated by the class system. Madden enhances this key idea through the use of dialogue in Will and Viola’s conversations. Viola is quicker to come to terms with the inevitable idea that their love is ‘too flattering sweet to be substantial. The two are living in a brief ‘dream’, which can only last until Viola’s marriage to Wessex. â€Å"Master Will, poet dearest to my heart, I beseech you, banish me from yours –I am to marry Lord Wessex-a daughter’s duty. † However Will and Viola continue to pursue their risky love, getting caught up in the romance and Will boasts to Viola â€Å"for one kiss, I would defy a thousand Wessexes! † As a twenty-first century teenager, the concept of a class system preventi ng two people who love each other from being together was new to me.However I admired and appreciated the two protagonists for going against the rules of society and seeing each other in secret trying to convince themselves that â€Å"love knows nothing of rank or riverbank. † Throughout the film we are reminded through the various recurring motifs, that Will and Viola’s love is one that will not last the expectations and realities of Elizabethan England. The river Thames is a constant setting focus in the film, being the large body of water that not only divides Will and Viola, but The Rose Theatre and The Curtain Theatre.The Thames is spoken of and shown in large establishing wide shots throughout the film. This helps to remind the viewers that Will and Viola are separated, not just by the river but the laws of society that forbid one of the lower class masses to love a wealthy upper class woman. â€Å"Oh Will, as Thomas Kent my heart belongs to you but as Viola the river divides us and I must marry Wessex a week from Saturday. † Often when Will and Viola are together they are shown with the river as a background always highlighting the rift that the class system has created between them, they can never openly be together.This is also shown in the extensive use of disguise used throughout the film. Viola dresses as a boy, ‘Thomas Kent,’ so she might act in Will’s plays. Will also disguises himself as a woman so he can go with Viola to Greenwich. This motif is an allusion to the play that Will Shakespeare would later write, Twelfth Night, but its main purpose is to remind us that in order to be together in public they must appear as disguised forms of themselves, they cannot openly declare their love. The only occasion when Will and Viola can express their love for each other in public is in the opening performance of Will’s new play Romeo and Juliet.This shows the viewer that only in the theatrical world can th ese two really be together, this was interesting to see as the nature of love in sixteenth century England means that the two protagonists will fall in love but the truth of love in this era means that if they are not from the same class in society then they cannot be together. It was worth learning about the risks Will and Viola take in order to try and fit into each other’s worlds as it made me invest much more emotion into their relationship.Shakespeare in Love won an academy award for its use of costuming in the film, which is reflected when we see Viola throughout the film. She is dressed immaculately in elaborate gowns with intricate beading often shown in regal colours such as red and gold which highlight her wealth and status and remind the viewer that she is too above Will for their relationship to be acceptable in Elizabethan society. This is contrasted when we first see Will, he is clearly one of the masses in his worn workman boots, plain white hirt and ink staine d hands. He relies on his words for a living. Viola and Will are from separate worlds and are only equals in the opening performance of Romeo and Juliet where Will is dressed in equal amounts of finery as Viola. This shows that only in the make-believe world of the theatre can these two be equal and accepted. The idea that they cannot marry each other even though they are in love is hard to grasp in the modern day and is the reason why many were unsatisfied by the ending of the film.However it is worth learning that â€Å"love can spring between a queen and the poor vagabond who plays the king. † We see Will and Viola defy â€Å"rank and riverbank† in an awe-inspiring way but we learn that despite their risk taking, there is not always a happy ending. An unfortunate life is particularly likely for Viola because as a woman, during this era she had fewer rights. â€Å"Will she breed? †¦Yes, if she does not send her back. † Women also suffered greater conseque nces if they were to be caught acting in the theatre.This was a foreign idea for me to be learning about because as a twenty first century girl seeing actors regarded as ‘two-a-penny’ in the Elizabethan era was strange and hugely contrasting to the celebrity status actors enjoy today. So it can be seen that the truth of love in Elizabethan England separates the two protagonists who are without control over their own relationships and life choices, a reality for the time that is hardly seen in twenty-first century New Zealand making this theme in the film almost alien to a modern teenage girl like myself.John Madden successfully portrays the constrictions of Elizabethan England and the trials Will and Viola must undergo to be together through his use of dialogue, motifs and costuming. Even the queen ‘cannot part a couple who have been joined before God† and it is worth learning that we don’t always get a happy ending in life. Theme in ‘Shakespeare in Love’ Describe one idea worth learning about in the text. Explain why it was worth learning about. John Madden’s Shakespeare in love is a ‘romantic comedy’ set in sixteenth century England. Through its two unfortunate protagonists, Will Shakespeare ‘a lowly player’ with writer’s block and wealthy Viola De Lesseps who dreams of ‘love as there has never been in a play,’ it explores the idea of ‘the truth and nature of love’ in the Elizabethan era.Madden portrays the harsh realities of the time through filmatic techniques such as dialogue, motifs and costuming to constantly remind the viewer throughout the film that the romance that is shared by Will and Viola cannot last in sixteenth century England. This is worth leaning about because as a 21st century viewer I become more able to appreciate the struggle faced by the two protagonists, especially Viola as a woman, in the name of love.Madden makes it clear to the viewer from th e beginning of the film Shakespeare in Love, that the truth of love in sixteenth century England which is based on the idea of marriage as a method of obtaining social or financial gain divides the two protagonists who are separated by the class system. Madden enhances this key idea through the use of dialogue in Will and Viola’s conversations. Viola is quicker to come to terms with the inevitable idea that their love is ‘too flattering sweet to be substantial. The two are living in a brief ‘dream’, which can only last until Viola’s marriage to Wessex. â€Å"Master Will, poet dearest to my heart, I beseech you, banish me from yours –I am to marry Lord Wessex-a daughter’s duty. † However Will and Viola continue to pursue their risky love, getting caught up in the romance and Will boasts to Viola â€Å"for one kiss, I would defy a thousand Wessexes! † As a twenty-first century teenager, the concept of a class system preventi ng two people who love each other from being together was new to me.However I admired and appreciated the two protagonists for going against the rules of society and seeing each other in secret trying to convince themselves that â€Å"love knows nothing of rank or riverbank. † Throughout the film we are reminded through the various recurring motifs, that Will and Viola’s love is one that will not last the expectations and realities of Elizabethan England. The river Thames is a constant setting focus in the film, being the large body of water that not only divides Will and Viola, but The Rose Theatre and The Curtain Theatre.The Thames is spoken of and shown in large establishing wide shots throughout the film. This helps to remind the viewers that Will and Viola are separated, not just by the river but the laws of society that forbid one of the lower class masses to love a wealthy upper class woman. â€Å"Oh Will, as Thomas Kent my heart belongs to you but as Viola the river divides us and I must marry Wessex a week from Saturday. † Often when Will and Viola are together they are shown with the river as a background always highlighting the rift that the class system has created between them, they can never openly be together.This is also shown in the extensive use of disguise used throughout the film. Viola dresses as a boy, ‘Thomas Kent,’ so she might act in Will’s plays. Will also disguises himself as a woman so he can go with Viola to Greenwich. This motif is an allusion to the play that Will Shakespeare would later write, Twelfth Night, but its main purpose is to remind us that in order to be together in public they must appear as disguised forms of themselves, they cannot openly declare their love. The only occasion when Will and Viola can express their love for each other in public is in the opening performance of Will’s new play Romeo and Juliet.This shows the viewer that only in the theatrical world can th ese two really be together, this was interesting to see as the nature of love in sixteenth century England means that the two protagonists will fall in love but the truth of love in this era means that if they are not from the same class in society then they cannot be together. It was worth learning about the risks Will and Viola take in order to try and fit into each other’s worlds as it made me invest much more emotion into their relationship.Shakespeare in Love won an academy award for its use of costuming in the film, which is reflected when we see Viola throughout the film. She is dressed immaculately in elaborate gowns with intricate beading often shown in regal colours such as red and gold which highlight her wealth and status and remind the viewer that she is too above Will for their relationship to be acceptable in Elizabethan society. This is contrasted when we first see Will, he is clearly one of the masses in his worn workman boots, plain white hirt and ink staine d hands. He relies on his words for a living. Viola and Will are from separate worlds and are only equals in the opening performance of Romeo and Juliet where Will is dressed in equal amounts of finery as Viola. This shows that only in the make-believe world of the theatre can these two be equal and accepted. The idea that they cannot marry each other even though they are in love is hard to grasp in the modern day and is the reason why many were unsatisfied by the ending of the film.However it is worth learning that â€Å"love can spring between a queen and the poor vagabond who plays the king. † We see Will and Viola defy â€Å"rank and riverbank† in an awe-inspiring way but we learn that despite their risk taking, there is not always a happy ending. An unfortunate life is particularly likely for Viola because as a woman, during this era she had fewer rights. â€Å"Will she breed? †¦Yes, if she does not send her back. † Women also suffered greater conseque nces if they were to be caught acting in the theatre.This was a foreign idea for me to be learning about because as a twenty first century girl seeing actors regarded as ‘two-a-penny’ in the Elizabethan era was strange and hugely contrasting to the celebrity status actors enjoy today. So it can be seen that the truth of love in Elizabethan England separates the two protagonists who are without control over their own relationships and life choices, a reality for the time that is hardly seen in twenty-first century New Zealand making this theme in the film almost alien to a modern teenage girl like myself.John Madden successfully portrays the constrictions of Elizabethan England and the trials Will and Viola must undergo to be together through his use of dialogue, motifs and costuming. Even the queen ‘cannot part a couple who have been joined before God† and it is worth learning that we don’t always get a happy ending in life.

Saturday, September 14, 2019

Isolated Chloroplasts Bad Example

Light Reactions in Isolated Chloroplasts Racquel Currie University of Minnesota Minneapolis, Minnesota Hypothesis If isolated chloroplasts are boiled, the enzymes that occur in photosynthesis are disrupted and the DCIP will not reduce. Chloroplasts are a type of plastid found within the plant they are the basis of photosynthesis. Without photosynthesis there would be no life on earth. Photosynthesis takes the energy from sunlight and coverts it into a chemical energy that can be used by the plant.Isolating chloroplast is a way to separate plastids in order to study the details of the single cell. Isolating the chloroplast helps better understand the functions and helps determine if the isolated chloroplasts are adequate to complete photosynthesis. Biological activity will be determined by using a dye, dichlorophenolindophenol (DCIP), as a final electron acceptor. Using spectrophotometry, the reduction of DCIP will be measured to follow the dye from an oxidized (DCIP) to a reduced sta te (DCIPH2) as it accepts electrons from photosystem I (1). Boiling affects the Materials and MethodsIn order to isolate the chloroplasts, the process had to have been completed rapidly in subdued light. When the solutions were not being used they were stored on ice. Ten spinach leaves were rinsed and deveined. They were then placed over ice and chopped with a razor. After, the spinach was placed between eight layers of cheesecloth to squeeze all the liquid derived from the spinach. The liquid was then diluted by adding 20mL of homogenizing buffer (HB). The solution was added to a pre-cooled conical centrifuge tube, and was then centrifuged at 1000 x g for one minute.After, the solution was transferred to another pre-cooled centrifuge tube and was centrifuged at 3000 x g for one minute. Centrifugation resulted in the deposition of a green pellet on the wall of the centrifuge tube near the surface of the liquid (2). This green pellet, together with the green liquid, was separated fro m the more dense material that had been deposited at the bottom of the tube (2). The supernatant was decanted, and the pellet was re-suspended in 10 mL of HB. The final centrifuged process occurred at 3000 x g for one minute.After the final centrifuge the supernatant was poured off and discarded. The isolated chloroplasts were re-suspended and mixed with 10ML of suspension solution (SS). After this process to isolate the chloroplast it was stored on ice and was stable for two to four hours. After the isolation of chloroplasts the question was asked if boiled chloroplast would reduce DCIP reaction mixture, and would this affect the activity of electrons from photosystem 1. 0. 1 mL of chloroplast was measured with a pipette into a tube and then suspended in boiling water for one minute.A spectrometer was used and set to 0 (set at 600nm). There was also a control used, which was chloroplast that went through the same methods as above, although it did not get boiled (heated). The contro l was measured by the spectrometer and the treated (boiled) sample was measured immediately after the boiling process. The control and treatment was then exposed to bright light for 15 second intervals. After each interval the color density was measured by the spectrometer. This process continued until there was no change in the color density. ResultsFigure 1 Figure 2 Discussion DCIP was used as a marker to indicate if the photosynthesis was still taking place in the isolated chloroplasts after boiling. The DCIP replaced the NAPD enzyme. The hypothesis, if isolated chloroplasts are boiled, the enzymes that occur in photosynthesis are disrupted and the DCIP will not reduce was shown to be true based on the results of figure one and two. Where as the control’s color density did decrease with the exposed light intervals. Literature Cited 1. K. Sami Nichols Light reactions in isolated chloroplasts Lab 2. C.RALPH STOCKING. Chloroplast Isolation in non-aqueous media. Plant Physiolo gy 56-60. http://www. ncbi. nlm. nih. gov/pmc/articles/PMC541142/pdf/plntphys00351-0065. pdf 3. Paul Armond Heat-induced changes of chlorophyll fluorescence in isolated chloroplasts and related heat-damage at the pigment level. Carnegie Institution of Washington http://www. sciencedirect. com/science/article/pii/000527287890138X 4. Eric Tuan The Effect of Light Conditions and Boiling on the Rate of Photosynthesis by Isolated Chloroplasts http://www. grochbiology. org/aplabwriteupexample. htm