Thursday, April 25, 2019

Amitav Ghosh's The Glass Palace Essay Example | Topics and Well Written Essays - 1500 words

Amitav Ghoshs The sugarcoat Palace - Essay ExampleAmitav Ghoshs The Glass Palace starts off in Burma in the year 1885, showing monarchy, at its last gasp at the hands of the British, through a stark contrast amid the life of a penniless orphan who would later become rich and the unfortunate over-embellished family with its luxurious graces to be condemned to downfall and destitution. The change of personnel is sudden, and dramatically affects the lives of those involved This is how power is eclipsed in a moment of vivid realism, between the waning of genius fantasy of governance and its replacement by the next, in an instant when the human springs free of its moorings of dreams and reveals itself to be girdled in the pathways of survival and self-preservation.But in that location is more the sweeping saga that covers continents and generations in its span is at once a political and social commentary on colonialism, an epic tale of the dehumanizing effects of racism and disposs ession. Also remarkably, it is a few family chronicles intertwined as a romantic narrative of serendipitous meetings and reunions between more than a twelve characters.Rajkumar, the primary protagonist, is an orphan eleven-year-old stuck in Mandalay. An extremely resourceful boy, he is a survivor, a child with no relations who forges some as he goes along in the form of Saya John and his son, Matthew. He witnesses the sad irony that marks the deposition of the King Thebaw and Queen Supayalat, and the subsequent loot of abode of the most venerated checkmate in the country at the hands of his simple, worshipful subjects who turn to robbery at the combined behest of hopelessness and unforeseen opportunity, and it is here he meets the memorable Dolly, the most beautiful girl he had ever seen. Ghoshs icon of the court are picturesque, painting a Burma of former glory and his description of the Kings exile in its solicitude and inevitability is almost lyrical, He sat in one of the ar mchairs and watched the ghostly shadows of coconut palms swaying on the rooms uncontaminating plaster walls. In this room the hours would accumulate want grains of sand until they buried him.The story continues with the plight of the royal family in Ratnagiri, India, where Dolly is still taking care of the daughters. The family is under the protection of District Collector Dey, (who is moderately of a motif for oppression by those who were not British, but served Britain nevertheless, a continuing theme in the novel) whose restless, intelligent and vivacious wife Uma befriends Dolly, to begin a relationship that would last a lifetime. Rajkumar, on the other hand remains with Saya John in Burma, where under his tutelage and support works in the lumber industry, because the British have turned their ravenous eyes on teak by this time, and there is much money to be made. Again here is an underlying theme of Indians and not the colonial Britishers world the direct agency of exploita tion, because the Indians profited out of the business that drained Burma, a fact that does not escape the authors critical notice.Rajkumar, after earning his riches sets off to find Dolly, and with some help from Uma, marries his first love. The rest of the novel spans the generations of connections between Rajkumar, Dolly, Saya Johns family, and Umas family against the backdrop of Burma, India, Malaya, New York and modern Myanmar. From the breed of those that worked within the confines of a British-ruled system, by harvesting teak and rubber using slave labor in order to build a prosperous family dynasty, like Rajkumar and Saya John, we come to a generation of those that are caught up in the dilemma between a British upbringing and education and the conscience that speaks to them of an independent India, like Umas nephew, Arjun. Once widowed, Uma sets about traveling the world and gains radical views on Indias independence. The ties between her and Dolly are further reinforced wh en her niece Manju marries Dollys son Neel. Neels brother, Dinu, meets and falls for Alison, the granddaughter of Saya John, who had interpreted Rajkumar under

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