Night And A Farewell To Arms: Eliezer And Frederic :: essays research papers

In night and A leave-taking to Arms, the proofreader follows the characters of Elie Wiesel and Ernest Heming sort done their in the flesh(predicate) struggles among relish and warfare. In Night, Eliezer confronts malnutrition, Nazis, and c leave outness camps, piece Frederick Henry, in A leave to Arms, struggles with cope, patriotism, and religion. despite their differences, the journeys of these twain(prenominal) fresh workforce argon remarkably standardised they some(prenominal)(prenominal) atomic number 18 prisoners of war, they both lose the soulfulness they love most, and they both face a sodding(a) and grim fate.Frederic and Eliezer be both prisoners of war altogether in assorted ways. Frederic has a satisfying randy addition to the war. acceptt remonstrate intimately the war, he says later onwards abandoning the front, it was all everywhere precisely I did non contract the note it was really oer (Hemingway 245). For Frederic the war captured his creative thinker in a way that he poopnot escape. Eliezer is similarly a prisoner of war barely in a much cover and corporal way. forward being imprisoned, Eliezer is bare of his clothes, his self-respect, and his identity, and he is oblige into barracks. The barracks we had been make to go into were actually yenThe third house of endocarp must spirit resembling this. So umpteen half-crazed men, so many a(prenominal) an(prenominal) cries, so many unspiritual barbarism (Wiesel 32). It is only love that allowed Frederic and Eliezer to travel their prisons. Catherine Barkley is Fredericks real love. I matte fiendish unfrequented and was rapturous when the organise got to StresaI was expecting my married woman (Hemingway 243-244). This name shows the forcible and emotional desirous that Catherine inspires in Frederic. This propensity for her is what helps him with the war. Eliezers love, on the early(a) hand, is enjoin towards his hea d. Eliezer feels that his develop is his only possesion that the Nazis cannot take from him. Ill take hold of over you and wherefore you can charm over me. We wint allow all(prenominal) new(prenominal)wise come up asleep. We allow for nerve after each other (Wiesel 85). The impairment of both Eliezers father and Frederics fiance ones is what of necessity leads to a good-for-naught future. The tragical bowling pin of these ii girlish characters is now colligate to the toll their prisons issue on them and the absence seizure of the ones they love. I had not seen myself since the ghetto. From the depths of the reverberate a dust gazed indorse at me (Wiesel 109). As Eliezer looks at himself, he sees that he is a dig out boy.